Gelatin silver print.
26.7 x 45.7 cm.
Roberston asks herself, "who said a print had to meekly accept being confined to a frame? Why can’t it ripple along a floor, up a wall and across a ceiling? Why does photographic paper have to be cut here and not there, especially if the rough edges turned out to be the best part?". Attracted by historical photography processess and by accidents in the dark room, her works are far from being representational, being closer to abstractions of the human form.
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